Adjustment layers are nightmares and don't exist for audio. During the dark years before Magic, I tried hard with Premiere, FCP, FCPx, Resolve and Avid but so many specific features they simply don't have or implement poorly:
It still offers features that put all other NLE's to shame especially around a much better timeline (the flexiblity and easy of the magnetic timeline but still with tracks for professional use).
Sony almost let it die and there is still old code that needs to be worked out to get Vegas back to full glory but Magix is going a great job moving it forward. I've owned it since Vegas Audio v2 in 2000. But maybe I'm in the minority here.ĭespite having to do client and other work in Premiere, FCPx, Resolve, I return to Vegas as my editor for my own work. It's just less to think about when it comes to supporting workflow, especially when considering using something new for the first time. Here's one product, it has everything we offer, now go enjoy it as a filmmaker. I understand why but simplicity can speak volumes. What jumps out to me are all the pricing tiers and software bundles. VEGAS Post 365 is a subscription model for $20.99/mo Final Thoughts Obviously, both software suites will have their own advantages and disadvantages.Ĭost: $999. The main difference in terms of price is that DaVinci Resolve is free and DaVinci Resolve Studio is $299. VEGAS Post is similar to DaVinci Resolve in that it offers multiple programs in one user interface. VEGAS Image is an advanced compositing tool, that adds color adjustment, chroma key, LUT support, and more. As the name suggests, VEGAS Effects is all about effects as well as 3D modeling, green screen removal, video scopes, and other features.
VEGAS Pro is combined with VEGAS Effects and VEGAS Image. This is a suite of programs that goes beyond editing.
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